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  Digital Theatre Systems

Introduction to DTS

DTS (Digital Theatre Systems) is a series of multichannel audio technologies that owned through DTS formerly known as, Digital Theatre Systems Inc., a company concentrating in digital surround sound formats employed for both commercial or theatrical and consumer grade applications. It was termed as the Digital Experience until the year 1995.

The essential and most ordinary version of the format is a 5.1 - channel system, identical to a Dolby Digital setup that encodes the audio as five primary (full-range) channels as well as a special LFE (low- frequency effect) channel for the subwoofer.

Another, newer DTS variants are also at present available, involving versions which support up to seven primary audio channels as well as one LFE channel (DTS-ES). These variants are usually based on DTS' core + extension philosophy, where a core DTS data stream is augmented along with an extension stream that involves the additional data essential for the new variant in use. The core stream can be decoded through any DTS decoder, yet if it does not know the new variant. A decoder that does know the new variant decodes the core stream, and then changes it as per to the instructions consisted in the extension stream. This technique permits backward compatibility.

Theatrically make use of a proprietary 24-bit time code is optically imaged onto the film. An LED reader scans the time code data from the film and delivers it to the DTS processor, by using the time code to sync the projected image along with the DTS soundtrack audio. The multi-channel DTS audio is recorded in compressed form on standard CD-ROM media at a bit rate of 1,103 k bit/s. The theatrical DTS processor works like a transport mechanism, like it holds and reads the audio discs. While the DTS format was launched it employed one or two discs with further units holding three discs, so permitting a single DTS processor to handle two-disc film soundtracks together with a third disc for theatrical trailers. The DTS time code on the 35mm print recognizes the film title that is matched to the individual DTS CD- ROM's guaranteeing that the wrong film cannot be played along with the wrong disc.

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