Introduction
The science of colour is sometimes termed chromatics. It comprises the perception of colour through the human eye and brain, the origin of colour in substances, colour theory in art, and the physics of electromagnetic radiation in the observable range (that is, what we usually refer to merely as light). The recognizable colours of the rainbow in the spectrum - named using the Latin word for appearance or apparition via Isaac Newton in the year 1671 - contain all those colours that can be generated through visible light of a single wavelength only, the pure spectral or monochromatic colours.
Types of Colours
There are essentially 3 kinds, namely primary, secondary and tertiary colours
Primary colour
Contrary to popular belief, there are in fact 2 techniques of producing colours. They are the Additive and Subtractive Colour. To generate all the colours of the rainbow, both procedures utilize primary colours that are colours that can't be generated via mixing other colours.
Additive primary colours
Additive colours are colours that are connected through emitted light openly from a source before an object reflects the light. Such colours are red, green and blue. Such are the colours we are probably most familiar through that are connected via television, and computer displays.
If all 3 of the additive colours were joined mutually in the form of light, they would generate white. Several instances where additive primary colours are used include television, theatrical lighting and computer monitors. The additive colour theory was 1st described by James Clark Maxwell in the mid 1800s. When equal amounts of red, green and blue light are combined, they produce white light. By adding the colours mutually to generate white, we call such additive colours. Red, green and blue are the 'primary' colours of white light. This is termed colour via addition and is a straight way to prove that all of such 3 colours do indeed come from white light.
Subtractive primary colours
Subtractive colours are colours that are connected through reflected light. In this case the subtractive colours are blue, red and yellow. Such are the colours we are probably most recognizable by as primary colours in school. Such colours are associated by the subtraction of light and utilized in pigments for making paints, inks, coloured fabrics, and common coloured coatings that we see and utilize every day. If all 3 of the subtractive primary colours are combined mutually, they will generate black. By adding the colours together to generate black, we call such subtractive colours.
The subtractive primary colours utilized in the printing procedure are cyan, magenta and yellow. Black is as well utilized. All printing processes employ subtractive colours in the form of cyan (blue), magenta (red), yellow, and sometimes black. This is recognized as CMYK for short (cyan, magenta, yellow, black) the K stands for black in the printing process. Such colours: cyan, magenta and yellow are a set of subtractive primaries and are generally utilized via printers. They are generally termed to as the 'printing primaries'. It is hard to attain a good black from just these colour pigments so printers sometimes as well utilize black. The reason that printers use this set of primaries as resisted to the painting primaries of blue, red and yellow, is that they give way far better consequences. If we are using such colours for painting though, we will find that mixing them is far less intuitive than when mixing the painting primaries.
Several instances where subtractive primary colours are utilized: textiles, clothes, furnishings, printing, paints and coloured coatings.
Secondary colours
If 2 of the primary colours are combined mutually, a secondary colour is created. As more colours are mixed, the selection of colours produces. The subsequent colours can be generated:
Violet/Purple - mixing of Blue and Red
Orange - mixing of Red and Yellow
Green - mixing of Blue and yellow
Black - mixing of Blue, Red and Yellow
These colours that are created from mixing the primary colours are called secondary colours.
Additive secondary colours
Secondary additive colours are produced by mixing 2 additive primary colours mutually. The additive primary colours are red, green and blue. When such additive colours are blended, they produce 3 secondary colours. Such are: cyan, magenta and yellow.
Subtractive secondary colours
Secondary subtractive colours are generated via mixing 2 subtractive primary colours mutually. The additive primary colours are red, green and blue. When such subtractive colours are blended, they generate 3 secondary colours. Such are: Violet/purple, Orange and green.
Tertiary colours
Tertiary colours are combinations of primary and secondary colours. There are 6 tertiary colours; red-orange, yellow-orange, yellow-green, blue-green, blue-violet, and red-violet. An easy way to remember such names is to place the primary name before the other colour. For example, the tertiary colour generated when mixing the primary colour blue through the secondary colour green, is called 'blue-green'
Colours in the Home
There are many variations of the essential colours. The paler versions that are sometimes more suitable for covering the walls within our homes, provide us the similar qualities as the bold colour but in a gentler way. When decorating an area - the complementary colours, and their variations, should be memorized and joined through our main choice of colour via way of soft furnishings, pictures and so on.
It is as well asset full to obtain in to account the aspect of a room. For instance, should we require a calming atmosphere in a north facing room that might well be one of the colder rooms in our house, remember to use some warm colours (for example variations of the warm colours of yellow, orange and red) to avoid the room feeling colder.
Using Colours in the Home
When using colour in the home environment, we all have our own personal choices. A Particular colour choice can assist towards providing a precise "feeling" for a space. Below are several suggested utilizes of colour in the home, workplace and diverse environments, and the consequences such colours can generate.
Table: Colours, Features and Uses
Colour
Effect
Suggested Area of Use
Violet
Calming for body and
mind.
Good for meditation
and prayer.
Enhances purpose and
dignity.
Heightens our
awareness and helps us
to give our very best.
Purifying.
Places of worship
Entry areas to clinics and
hospitals
Festival areas
Pale violet in bedrooms.
Indigo
Sedative
Helps to open up our
intuition
The colour of divine
knowledge and the
higher mind.
Not suitable for areas for
entertainment but for more
'quiet' places
Bedrooms
Treatment rooms
Some people find indigo is
helpful for studying so this
colour could be used as
part of the decor of a
library or study.
Blue
Calming, relaxing and
healing
Not as sedating as
indigo. Also the colour
of communication.
Any rooms except those
used for physical activity
or play.
Green
Balancing, harmonising
and encourages
tolerance and
understanding.
Depending upon the shade,
can be used for most areas
Useful for any rooms
except those used for
physical activity or play. It
can be used with other
colours/colour as well to
avoid the balance and
harmony becoming more
like total inactivity and
indecision.
Yellow
Stimulates mental
activity
Promotes feeling of
confidence
Helpful for study as it
helps us to stay alert.
Activity rooms
Entrance halls
Not for bedrooms as
yellow can interfere with
sleep since it tends to keep
our minds "switched on"
Not ideal for areas of
possible stress.
Orange
Warming and
energizing
Can stimulate creativity
Orange is the colour of
fun and sociability.
Any activity area and
creative areas Not ideal for bedrooms or
areas of possible stress.
Red
Energizing, exciting the
emotions
Stimulates appetite.
Any activity area but red
needs careful choice of
tone and depth and the
space in which it is to be
used as it can make a space
look smaller and can be
claustrophobic or
oppressive. Though, used
well, red and its variations
can make a space feel
warm and cosy. Often used
in restaurants.
Magenta
Magenta is the eighth
colour in the colour
spectrum and is a
combination of red and
violet, it combines our
earthly self and spiritual
self, thus balancing spirit
and matter.
It is uplifting and helps
us to gain a feeling of
completeness and
fulfillment.
Lecture spaces
Chapels halls etc
Not ideal for play rooms or
activity rooms
White
White contains all the
colours. It emphasises
purity and illuminates
our thoughts, giving us
clarity.
Any room, but it can be a
little intimidating to some.
Needs to be broken up with
another colour or with
plants/ornaments/pictures
etc.
Black
Black used with another
colour enhances the
energy of that second
colour
Black gives us the
space for reflection and
inner searching.
Not ideal as a single
colour, but when used with
care,can enhance and
complement other colours
in almost any situation.
Pink
This colour soothes and nurtures
It helps to dissolve
anger and encourages
unconditional love.
Ideal for a baby's or child's bedroom.
Turquoise
Cool and calming and
good for the nervous
system and immune
system.
Any room except it is not
ideal for activity areas.
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