Problem
In grappling with contemporary art through the lenses of race, power, and justice, consider what-if anything-changes when we turn our attention to the pervasiveness of surveillance capitalism. How do the issues and concerns that artists grapple with-whether decolonization, appropriation, representation, quiet sovereignty, opacity, speculation, or reclamation-resonate in the context that Shoshana Zuboff shows us? What would happen to the interiority and quietness of art if every decision we made online was recorded, accumulated, and sold to the highest bidder? If predicting products is the market of the future, shouldn't art aim to be as unpredictable as possible?