What aspects of film form you recognize in the bicycle thief


Problem

What aspects of film form do you recognize in The Bicycle Thief? Provide two examples. How do these create certain expectations in the viewer? Are these expectations satisfied or frustrated, and how do they make you feel? Moreover, how do these aspects of form contribute to the film's meanings (explicit, referential, implicit, symptomatic)?

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History: What aspects of film form you recognize in the bicycle thief
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