Symmetrical and asymmetrical balance


1. Imagine that you are in a debate with someone who asserts that, just as beauty is in the eye of the beholder, art is whatever the spectator thinks it is; there are no rules, no criteria, no universal boundaries delineating what is and what is not art, who is and who is not an artist. If something expresses or creates an aesthetic or emotional response, it is art.

Your task is to take the other side of the debate: How would you respond to and rebut this view? In the first chapter of Getlein lists six roles that artists fulfill; these may help you in coming up with your response. Come up with points and specific examples of art works to support of the other side of the debate, which is that not just anything can be art, not just anyone can be an artist: There are established and justifiable criteria to confer that status upon objects and individuals.

1)     unity and variety

2)     symmetrical and asymmetrical balance

3)     emphasis and subordination

4)     scale and proportion

5)     rhythm

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History: Symmetrical and asymmetrical balance
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