Problem
In which movements does Mussorgsky make use of pentatonic scale patterns? Do you think there is a particular reason for this?
Which movements we hear Mussorgsky's use of minor tonalities? Does that make a difference to the whole mood and picture? In which pieces are you particularly aware of Mussorgsky's use of major tonalities? What effect does this have?
In "Catacombs," Mussorgsky chose specific sounds. What kind of sounds (instruments, chords, etc., melodies) you find interesting in this piece, and why? You may also wish to comment on the harmonies and chords used in this movement.