What makes the imagery in riefenstahls olympia powerful, English

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What makes the imagery in riefenstahls olympia powerful

Problem

Watch the opening and closing segments of Leni Riefenstahl's Olympia (1938), a documentary of the 1936 Berlin Olympic Games. In 250 words on the techniques of propaganda cinema that you observe in the segments from Olympia. What makes the imagery in Riefenstahl's Olympia powerful? Do you notice elements of German Expressionism and Soviet montage in these segments?

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