1. The Impressionist technique of pointillism relies on the use of
A. subtractive color mixing
B. feature analysis
C. additive color mixing
D. binocular disparity as a cue for depth
2. Ashley is trying to create a small Christmas village on the mantle of her fireplace. She brought 3-inch high figures to put at the front of the mantle and smaller figures to put near the back. Ashley is trying to increase the impression of depth in her Christmas village through the use of
A. light and shadow
B. relative size
C. convergence
D. texture gradient
3. Which of the following is TRUE regarding our inner "measurements" of sensory experiences?
A. Ther is generally a one-to-one correspondence with the physical intensity of the stimulus.
B. Although there is a one-to-one correspondence with the physical intensity of the stimulus at lower intensity levels, the correspondence virtually disappears at higher intensity levels.
C. There is no one-to-one correspondence with the physical intensity of the stimulus, especially at the higher intensity levels.
D. All of the above
4. The Gestalt principle of proximity refers to the idea that
A. people tend to gravitate toward a common interaction distance
B. center-surround cells that are closer fire more often
C. perception occurs in discrete time frames
D. objects nearer to each other are seen as forming a unit
5. Images that occupy more space on your retina are seen as nearer relative to images that occupy less space. This is a cue to depthy perception known as
A. accommodation
B. foveal disparity
C. phrenetic search
D. relative size