What do you think about Spike Lee's use of unusual formal elements in SHE'S GOTTA HAVE IT movie? For example, he includes one sequence in color in an otherwise black and white movie, he has characters address the camera directly breaking the fourth wall, and he uses stylized editing sequences. What do you think these formal elements accomplish? Do they add or distract from the movie over all? If you have seen other Spike Lee movies can you recognize similar tactics in his more recent movies? Which ones? Provide specific examples in your response.