Principles that characterized dada-surrealist-cinema pur
What were the theoretical and aesthetic principles that characterized the Dada, Surrealist, and “cinema pur” movements? Which formal and stylistic qualities did their films share, and in what ways did they differ?
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The culminating project for this BSN program is the creation of a professional e-folio. Please see the links in the “course materials” section (within the “resources” tab on the left-hand side) for more information about th
What logistical difficulties were posed by early attempt as sound recording? How did U.S. filmmakers address these problems and bring sound in line with the classical Hollywood style?
Which system did the studios decide to go with when they converted to sound film production? Why? Summarize the technological advantages and drawbacks of the sound-on-film and sound-on-disc processes.
Compare and contrast the evolution of the studio system in Japan to the evolution of the Hollywood system. In particular, note the similarities and differences with regard to industry structure, film genre, and exhibition practices.
What were the institutions that championed and promoted “art cinema” during the late silent period? Trace the evolution of these institutions from Europe to the United States, and provide examples of the strategies they used to foster
Discuss the motives behind the emergence of “Film Europe.” How did the national film industries of Europe cooperate in combating the influence of American movies?
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Under what conditions did African American audiences experience films during the silent era? In what ways did individual filmmakers or companies tailor their films to appeal specifically to these audiences?
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