Painting and theatrical design were adapted by filmmakers
German Expressionism in the cinema debuted with The Cabinet of Dr. Caligari in 1920, years after Expressionism was well established in other art forms. What techniques used in painting and theatrical design were adapted by filmmakers?
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Situate the Constructivist movement within the broader trend of Modernism in the arts of the early twentieth century. What were the objectives of Constructivism, and which of those aims were especially important to the development of the Montage m
Compare the activities of the Soviet film industry during the War Communism period (1918-1920) and during the years of the New Economic Policy (1921-1924).
Identify the primary formal concerns of the “New Objectivity” trend, and explain how the films of G.W. Pabst demonstrate those concerns.
How were the elements of mise-en-scene used in German Expressionist cinema? Identify the important characteristics of costume, setting, and figure behavior in these films, and explain how these elements worked together; cite from the movies discus
Explain how Germany’s film industry was able to thrive during the early 1920s, a period of severe economic hardship and hyperinflation. How did the film industry flourish while other industries were devastated?
Why did French Impressionism decline as a unified filmmaking movement in the late 1920s? What was the role of pressures from both inside and outside the movement in this decline?
The formal qualities of French Impressionism derived partly from the directors’ beliefs about the cinema as an art form. What were these beliefs?
What created the problems confronting French film production between 1918 and 1928? Identify the three primary factors as identified in the text, and summarize the effects of each of these causes.
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Explain how social work ethical values relate to advocacy. Describe how you might make decisions about when and where to engage in advocacy
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Related Issue number one for our unit is: To what extent should ideology be the foundation of identity.