Problem: As a film scholar and filmmaker, Celine Parreñas Shimizu writes, "Fantasy, representation, race, and sexuality need to be understood as complex formations, especially in terms of understanding Asian American feminist filmmakers who produce 'bad objects,' or representations of 'improper' sexual acts and'inappropriate' identities, as social critiques of gender, race, bourgeois, and sexual heteronormativity." Please common on the movie "Two Lies, dir. Pam Tom, 1989, 25 minutes", and explain how does this film "produce 'bad objects'" of Asian American womanhood?