How is nostalgia for maoism reflected as love in film youth
Problem: How is nostalgia for Maoism reflected as love in the film Youth? Does this film support or undermine Petrov's idea about the "commodification of love" in Yugonostalgia?
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How is nostalgia for Maoism reflected as love in the film Youth? Does this film support or undermine Petrov's idea about the "commodification of love"
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