How does the film respond to the previous trends in lgbt rep


How does the film respond to the previous trends in LGBT rep (villains, killers, mentally ill, no sexuality)?

Is there gay cultural specificity? (Community, intimacy, etc)

How does the film use style (how things look) to exaggerate in a campy way?

How is it evocative of a queer sensibility? (Anti-category, critical of categorical limitations)?

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