How do both corridos and rancheras deal with theme of land


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Study Questions

1. How do both corridos and rancheras deal with theme of land or loss? How are they thematically and stylistically different?

2. What are the Africanisms found in popular music in the Americans (especially african-american music and afro-cuban music)?

3. Consider the concepts cultural hybridity,cultural nationalism, and cultural imperialism? How might these apply or not apply to salsa music, chicano rock, and latin boogaloo? How might they apply to mexican corrido, connjunto, ranchera, and mariachi music?

4. What does Keith Negus mean when he says " industry produces culture and culture also produces industry"?

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