1.How did the advent of home video technologies change the American film industry? In what ways did the studios-who in 1976 regarded home video as a competitor-exploit these technologies to their advantage?
2. How did the policies of "synergy" and "high concept" transform American film industry structure in the 1980s and 1990s? What kinds of films resulted from these policies, and in what ways did distributors and exhibitors try to profit from such films?