Hollywood for the control of sound film production
How were German firms able to successfully challenge Hollywood for the control of sound film production and exhibition in Europe? How did German directors use sound in ways that were distinct from Hollywood practice?
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Pick two of the following genres: the war film, the gangster film, the screwball comedy, the musical. Describe the evolution of these genres between 1930 and 1945, and provide examples of representative films. What changes took place, and why?
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How did the Hays Office operate to protect, rather than hinder, the interests of the American film industry? Explain how Production Code regulations helped modify the content of Hollywood movies.
Identify the Big Five Hollywood studios (or “Majors”) of the 1930s and summarize the activities of each during this decade. What were their strategies for weathering the effects of the Great Depression? What kinds of films did each spe
The culminating project for this BSN program is the creation of a professional e-folio. Please see the links in the “course materials” section (within the “resources” tab on the left-hand side) for more information about th
What logistical difficulties were posed by early attempt as sound recording? How did U.S. filmmakers address these problems and bring sound in line with the classical Hollywood style?
Which system did the studios decide to go with when they converted to sound film production? Why? Summarize the technological advantages and drawbacks of the sound-on-film and sound-on-disc processes.
Compare and contrast the evolution of the studio system in Japan to the evolution of the Hollywood system. In particular, note the similarities and differences with regard to industry structure, film genre, and exhibition practices.
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