1. Explain Jane Feuer's discussion of sitcom genres as "intertextual." Why does Feuer propose reading sitcoms this way (e.g. what pre-existing arguments about sitcoms is Feuer responding to)? To what extent do you agree or disagree? Feel free to draw upon examples from your own viewing practices to explain your own position.
2. According to the documentary Ethnic Notions (1986, dir. Marlon Riggs), what was blackface minstrelsy and why did individuals choose to participate in it during the 19th century? In addition, describe at least two racial stereotypes discussed in the portion of the documentary we watched in class and the historic reasons for why they existed. 'You can stream the Ethnic Notions through the UW library system.
Short Essays (6 points)
1. Explain why Christine Acham believes that the Cosby Show produced a "fantasy" image of race in the United States for some audiences. Draw from our class discussion and Acham's essay of the political context of Ronald Reagan policies in your response. Why is Acham so concerned with the specific narrative of "hard work" and middle-class achievement that the show offers? To what extent does Acham's argument challenge the idea that the Cosby Show responded to black stereotypes during the 1980s?
The complete catalogue of the Cosby Show is available on Amazon Prime streaming video services.
2. Kristal Zook describes four elements of black-produced television. which suggests that these shows are not "black" by virtue of having black actors/actresses. For Zook, what is the significance of these four elements in changing/adapting existing sitcom formats? Give at least two examples from the reading and explain in your own words. To what extent do you agree that these four elements challenge existing conventions of the sitcom genre? Draw from Jane Feuer's discussion of genre to make your case.